Terri Lyne Carrington‘s energetic & fluid way of playing deeply resonates with me. It has a searching quality which always moves the music forward. She always keeps me engaged and wondering what’s going to happen next.
I first saw her live in 1999 with Herbie Hancock’s “Gershwin’s World” project. I still remember that magical feeling of really digging the music, yet having no clue what they were doing. To this day I can still tap into how that felt. That says something about an artist: if their art can sustain a feeling over decades – that’s powerful!
It was a pleasure to finally get to talk to her and I’m excited to share our conversation with you now!
Supported by NICA artist development, a program funded by